💥 Moment: #HYPERBOUNCE — 走进 san 的音乐时刻

🌀 Hyperbounce 是一个充满激情的微观场景，自2020年左右开始演变，建立在过去 Soundcloud 世代那种歪扭、摇摆的低音音乐（有时称为“bounce”）之上，同时引入了现代回响贝斯（dubstep）的光谱科技音色、地下说唱的扭曲怒意以及超流行（hyperpop）的极繁主义。荷兰制作人 san 在这个声音还没有名字之前，就已经与 carbine 和 scorpiioh 一起走在前沿，激励了一大批年轻制作人追随他们的脚步。他2025年的首张专辑《filename》（feat. kuru 和 gunk）标志着 san 故事的新篇章：重心从技术技巧转向创作歌曲，他的人声成为了核心。

🎛️ san 过去的素材包和 FL Studio 预设一直是构建这个场景的核心，但这是首次将 ‘#HYPERBOUNCE’ 带到 Splice。一套全面的低音目录涵盖了巨大的循环、咆哮音、刺击音和填充音，全都带着经过调谐的和声共鸣，模糊了声音设计与旋律之间的界限。爆裂的鼓组在节奏中摇摆穿梭，创造出新颖的律动空间；合成器则在抓耳旋律与宁静氛围之间游走。这些声音来自一个特定的场景，却能轻松适用于任何地方。

💪 “我想鼓励人们尝试新事物，不要害怕在通常不会用到的地方使用激进的声音。”​ san 说道。

Moment #HYPERBOUNCE, a san moment

Hyperbounce is a passionate microscene that’s been evolving since ~2020, building on the wonky, swung bass music of past Soundcloud generations (sometimes known as “bounce”), but introducing modern dubstep’s spectral tech, underground rap’s distorted rage and hyperpop’s maximalism. Dutch producer san has been pioneering this sound since before it had a name, alongside carbine and scorpiioh, inspiring a new school of young producers in their wake. His 2025 debut album ‘filename’, which features kuru and gunk, marks a new chapter in the story of san: shifting focus from technical chops to writing songs, with his vocals at the center.

san’s past kits and FL presets have been central to building the scene, but this is the first to bring ‘#HYPERBOUNCE’ to Splice. A comprehensive bass catalog covers massive loops, growls, stabs, and fills, all ringing with tuned harmonics that blur the line between sound design and melody. Blown-out drums swerve in and out of time to create novel pockets, while synths span the gamut between catchy melodies and serene ambiences. These sounds come from one specific scene but will easily translate anywhere.

“I want to encourage people to try new things and not be scared of using aggressive sounds in places they normally wouldn’t.”